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Spoke with Rich, a fantastic traverser of the festival circuit, about what’s changed given that 1992 and exactly where the power for the queer film movement can be discovered nowadays. Todd Haynes’ Poison and Jennie Livingston’s Paris Is Burning had premiered at Sundance the year ahead of Rich’s essay, both to accolades. Video artist and former Le Tigre founding member Sadie Benning was experimenting with video at the festival, alongside Tom Kalin’s queering of Leopold and Loeb in Swoon. Isaac…